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Flatpack dossier

Sunrise audience


In my experience the week following a festival tends to involve lots of sleeping, eating, clearing up, looking for things that have got lost, paying bills and gazing into space. There’s also a fair bit of googling for festival writeups. Although this is mainly narcissism, it’s also curiosity about what kind of festival experience people had while we were running around town shunting gear and barking into phones. Gathered here are some of the results of our self-googling…


A writeup of the Odeon bus tour from the Guardian, and an overview of Takashi Ito’s work by the same writer;


MarBelle reported from ‘the heart of the Black Country’ for Directors Notes;


Dazed Digital were there on Friday and Saturday;


Jotta jotted a nice summary of Unpacked, Synth Eastwood and Eastside;


Little White Lies were there on Friday;


Digbeth is Good had some Flatpack fun;


We think Shots liked it too, but unfortunately most of their review is hiding behind a pay-wall;


Film4 liked the shorts but weren’t feeling the jazz;


Über Brum was on the prowl at Synth Eastwood, Plasticine Party and Belbury Youth Club;


Birmingham Jazz were there on opening night;


Khen came down for Until The Light Takes Us and Down Terrace;


and Andy Maiden had a day out at the library.


Finally, a few of our favourite tweets:

“Sunrise was simply delightful, a lovely thing to remember for years to come. I left feeling all warm and charmed inside.” @tombelte

“Took me a while, but I’ve managed to convince my wife that @flatpack Festival is *not* an Ikea Expo…” @saeedmsadiq

“Cinematic dreams in Brum: trannies teetered downstairs, film projectors whirred, magic fingers mysteriously traced words on a page” @thederminator

“Recovering from 5 days of visual over stimulation @flatpack, amazing weekend, can’t wait for next year.” @gabba


There’s plenty of other festival coverage in the press section.


**Additions**


The Guardian have followed up with a more general piece about Digbeth;


Electric Sheep saw a lot of shorts;


the bright light! mogwai blog discovered Birmingham’s love of soul;


Phantom Circuit interviewed Moon Wiring Club;


Chris from Brumcast interviewed Stuart Braithwaite (Mogwai);


Phantom Circuit also did a Ghost Box special;


Synth Eastwood posted a recording of their Friday night A/V set;


and Clare Heart has given her own comprehensive run-down.


Modulate set on Sound Cloud;


Two writeups from the Warwick Boar, and an interview.


Demi-pas audience

Errata, addenda, and so on

error


Look out for the nice Flatpack writeup in t’Guardian Guide today. One small error we should point out: Moon Unit and Jackdaw with Crowbar are actually playing on Saturday night at the Plasticine Party, not as part of the opening.


Although, people in glass houses… There are are a couple of minor changes to our published brochure. The main ones to mention are:


- The Matt Stokes screening on Saturday 27th March at VIVID is taking place at 3pm, not 1pm.
– Tickets for Until The Light Takes Us are £6, not £4/£3 as advertised in some places.
– David Hurley’s installation won’t be open until Monday Tuesday.
Sacred Places is now showing with Ben Rivers’ wonderful I Know Where I’m Going as well as Facts About Projection, so the screening will end at around 8:20.


That’s pretty much it. Any other last-minute updates or additions will be posted here.

Going going gone

Thanks to the very helpful people at The Ticketsellers, booking for Flatpack is a breeze. As you probably know many of our venues are pretty intimate, so if you want to be sure of seeing something – or take advantage of the 4 screenings for £20 deal – then sort your tickets in advance. Things which are selling particularly well include…


SUNRISE
ODEON BUS TOUR
SEPARADO!
THE SECRET OF KELLS
BELBURY YOUTH CLUB
BURNING
UNTIL THE LIGHT TAKES US


– If you’re planning to see the latter, you might like to know that there will be a pre-screening black metal warm-up session at Scruffy Murphy’s in Dale End beforehand. (Details for facebookites here.)
– The Odeon bus tour got a mention on radio 4 this afternoon when the Film Programme took a tour of the Electric; should be on iPlayer soon.
– As noted by Created in Birmingham, colourful stripes are appearing all over various festival shops and venues. David Hurley is also in the CiB shop over the weekend installing his strange family of mannequins.
– Finally, we end this disjointed and maybe slightly frazzled blog post with a doffed cap to our hero of the week – Adam at Aquila TV, who has been holed up in their edit suite all week compiling the shorts programmes.


Have a lovely weekend, and we’ll see you next week….

Flatpack 2010 sting

Here’s a short animation which will be popping up before screenings at this year’s festival:


Flatpack 2010 Trailer from Dave Gaskarth on Vimeo.


Animation by David Mourato.
Original design and sound editing by Dave Gaskarth.
With thanks to the Visual Communication department at Birmingham City University.

Taa-daah!

As you may have noticed, this little blog has suddenly become surrounded by a bulging programme of goodies. There is a fair bit to digest on the website, but once again we have to say a big thank you to Dave Gaskarth (Cyrk, design) and Jacob Masters (Gabba, build) for making it so digestible. The Flatpack brochure is also on its way and will be hitting the streets in about a week. Last night we paraded our wares and handed out stickers at the newly opened Created in Birmingham shop in the Bullring – a really nice do, and we’re looking forward to camping out in the shop over the course of the festival.


After the recent copy-writing marathon it’s time to take a break from words, but we’ll be back next week to start flagging up some of the treats in store.